Like his artistic hero, Paul Cezanne, Henri Matisse merged the traditional and the avant-garde. In Still Life with Geranium, he transformed a simple still life into a populated Arcadian mural painting, rendered in the brilliant colour, thick pigment, and rapid brushwork characteristic of the group of painters known every bit the Fauves (French for "wild beasts"). Matisse was recognized by critics as the leader of this group.
This composition is 1 of contrasts—the stake palette and light brushwork in the upper half of the motion picture are juxtaposed with the darker colored, heavily painted lower half; the firmly planted pose of the female effigy is contraposed with the about-fleeing figure of the male; and the ruby-red vegetables grown near Paris are set near ceramic objects from exotic, faraway places. One of many still-life paintings in which Matisse incorporated his ain figurative sculptures, here the artist challenged his viewers' expectations by rendering his modeled figures with minimal color and unproblematic lines. Probably represented equally plaster casts, these figures would later be made in bronze editions past the artist; versions of Woman Leaning on Her Hands (on the correct of the geranium) and Thorn Extractor (on the left) are also in the collection of the Art Constitute.
Paul Cassirer, X. Jahrgang, 1907/1908, September/Oct: I. Ausstellung (Paul Cassirer, 1907), cat. 86, as Geranium.
"Obzor vystavki 'Salon Zolotogo Runa'": "Revue du 'Salon de La Toison d'Or,'" Zolotoe runo: Toison d'Or, nos. 7–9 (1908), pp. 32 (sick.); 62 (ill. no. IV); 64 (ill. no. 4 a), as Герань, Le géranium.
Paul Cassirer, V. Ausstellung: Henri Matisse (Paul Cassirer, 1909), cat. 18, equally Stilleben.
Berliner Secession, Katalog der XXVI. Ausstellung der Berliner Secession, exh. cat. (Ausstellungshaus am Kurfürstendamm, 1913), p. 40, cat. 201, as Geranium.
Roland Schacht, Henri Matisse, Künstler der Gegenwart 4 (Rudolf Kaemmerer Verlag, 1922), p. 15.
Fogg Art Museum, Exhibition of French Painting of the Nineteenth and Twentieth Centuries, exh. true cat., organized past Frederic C. Bartlett et al. (Harvard Academy, 1929), p. 17, true cat. 61; pl. 51, as Nevertheless Life.
Albert Franz Cochrane, "Fogg Museum Stages Magnificent Exhibition of French Art," Boston Evening Transcript, Mar. 9, 1929, p. xiii, as "Nonetheless Life."
Forbes Watson, "The Fogg Museum Celebrates, Office 2,"Arts 15, no. 5 (May 1929), p. [302] (ill.), as However-Life.
Alfred Gold, French Impressionists, Old Masters: 35 Paintings Selected from Exhibitions at Dr. Alfred Gold's Gallery (Dr. Alfred Gold's Gallery, 1930), p. [35] (ill.), as Still-life with Flowers, 1907.
Albert C. Barnes and Violette de Mazia,The Art of Henri-Matisse (Charles Scribner'southward Sons, 1933), pp. 73; 244, no. 30 (ill.); 434, no. 30, equally All the same-Life with Potted Plant, Collioure.
Baltimore Museum of Art, Modern Painting Isms and How They Grew, exhibition brochure (Baltimore Museum of Art, 1940), n.pag., as Still Life, Geraniums.
R. H. Wilenski, Modern French Painters (Reynal & Hitchcock, 1940), p. 198, as Nature morte au pot de fleurs, 1904–5.
"Les Fauves Reunited in Provocative New York Exhibition," Fine art Digest 16, no. 3 (Nov. 1, 1941), p. 9 (sick.), as Still Life With Geranium, 1906.
Los Angeles County Museum, Aspects of French Painting from Cézanne to Picasso, exh. cat. (Los Angeles County Museum, 1941), n.pag., no. 28 (ill.), as Nevertheless Life: Geranium Institute, Fruit.
Robert Lebel, Les Fauves, exh. cat. (Marie Harriman Gallery, 1941), true cat. 4, every bit Nature Morte au Geranium, circa 1906.
Decatur Art Center, Masterpieces of European and American Fine art Lent by the Art Institute of Chicago, exh. cat. (Decatur Fine art Eye, 1945), p. seven, cat. 10, every bit Even so Life with Geranium Institute.
Springfield Fine art Association, Masterpieces of European and American Fine art Lent past the Art Institute of Chicago, exh. cat. (Springfield Art Association, 1945), p. 7, cat. 10, as Still Life with Geranium Plant.
Milwaukee Art Plant, Flower Paintings, exh. cat. (Milwaukee Fine art Institute, 1945), cat. 22, equally Still Life with Geraniums.
"$100,000 Art Exhibit to Open This Week at Edwards Place: To Display European and American Masterpieces," Illinois Country Journal-Register (Apr. one, 1945), p. six, as "Still Life."
Harriet Thousand. Cantrall, "Artist Expresses Views on Exhibit at Edwards Place," Illinois State Journal-Register (Apr. 8, 1945), p. 24, as "Potted Geranium."
Milwaukee Fine art Institute, "Flower Paintings," Milwaukee Art Found Bulletin eighteen, no. 3 (Sept. 1945), p. 2, equally Geraniums.
Art Institute of Chicago, The Winterbotham Collection, exh. cat., with an essay past Katherine Kuh (Art Plant of Chicago, 1947), p. xxx, every bit Nonetheless Life with Geranium, 1905.
Henry Clifford and Henri Matisse, Henri Matisse: Retrospective Exhibition of Paintings, Drawings, and Sculpture, Organized in Collaboration with the Creative person, exh. cat. (Philadelphia Museum of Art, 1948), pp. 38, cat. 19; n.pag., no. nineteen (sick.), equally Notwithstanding Life–Geranium Plant, Fruit, 1908.
Saginaw Museum, Exhibition of Nineteenth Century French Painting at the Saginaw Museum, exh. cat. (Saginaw Museum, 1948), p. 9, true cat. eighteen, as Still Life with Geranium.
Sidney Janis Gallery, Les Fauves, exh. cat., essays past Georges Duthuit and Robert Lebel (Sidney Janis Gallery, 1950), true cat. 32, as Geranium Plant, Fruit, 1908.
Alfred H. Barr, Jr., Matisse: His Fine art and His Public (Museum of Modern Fine art, New York, 1951), pp. 92, 110, 558, every bit Still Life with a Potted Plant and Still Life–Geranium Institute, Fruit, 1906.
Museum of Modernistic Art, Henri Matisse, exh. cat., introduction past Alfred H. Barr, Jr. (Museum of Modern Art, New York, 1951), pp. 9, true cat. xiv; xv (ill.), equally Still Life–Geranium Plant, Fruit on Table, (1906).
Sidney Janis Gallery, v Years of Janis: 5th Anniversary Exhibition, exh. cat. (Sidney Janis Gallery, 1953), no. 67 (ill.).
Gaston Diehl, Henri Matisse (Éditions Pierre Tisné, 1954), p. 47, as Nature morte au geranium.
John Ulbricht, 10 × 10: Ten Directions by Ten Artists, exh. cat. (Denver Art Museum, 1954), cat. 37, as However Life, 1906.
Arts Club of Chicago, Les Fauves, exh. cat. (Arts Club of Chicago, 1956), true cat. 12, as Still Life: Geranium Establish, Fruit on the Table, 1906.
Three Exhibitions: Notable Paintings from Midwestern Collections, Notable Collections at Joslyn Art Museum, Anniversary Purchase Exhibition, exh. true cat., introduction past Eugene Kingman (Joslyn Art Museum, 1956), n.pag., as However Life: Geranium Plant, Fruit on Tabular array.
Art Institute of Chicago, Paintings in the Fine art Found of Chicago: A Catalogue of the Picture Collection (Art Plant of Chicago, 1961, repr., 1968), p. 304, as Withal Life with Geranium Plant and Fruit, 1906.
Edward Barry, "Wonderful World of Art: A Legacy that Grows—Winterbotham Collection," Chicago Tribune (Aug. 25, 1963), sec. v, p. 4, as Notwithstanding Life.
Jean Leymarie, "The Painting of Matisse," trans. Caroline Lumley, in UCLA Arts Quango and UCLA Art Galleries, Henri Matisse: Retrospective 1966, exh. cat. (University of California Press, 1966), p. 12, as Still Life with Geranium Plant and Fruit.
UCLA Arts Council and UCLA Art Galleries, "Reproductions of the Paintings" and "Catalogue of the Exhibition: Paintings," in Henri Matisse: Retrospective 1966, exh. true cat. (University of California Press, 1966), pp. 52, no. 23 (ill.); 184–85, true cat. 23, as Even so Life with Geranium Plant and Fruit/Nature morte au géranium, (1906).
Jean Guichard-Meili, Matisse, trans. Caroline Moorehead, A Praeger Earth of Art Profile (Frederick A. Praeger, 1967), p. 231, every bit Still-life with Geranium Constitute and Fruit.
Matisse, 1869–1954: A Retrospective Exhibition at the Hayward Gallery, exh. cat. with a foreword by Gabriel White and an introduction by Lawrence Gowing (Arts Council of Corking United kingdom, 1968), pp. 81 (ill.); 162, true cat. 36, as Still Life with Geranium Institute and Fruit/Nature morte au géranium, 1906.
Pierre Schneider, Henri Matisse: Exposition du Centenaire, exh. true cat. (Réunion des Musées Nationaux, 1970), pp. 39; 72–three, cat. 83; 156, no. 83 (ill.), equally Nature morte au pelargonium (Nature morte au géranium), 1906.
Massimo Carrà, "Catalogo delle opera," in Mario Luzi and Massimo Carrà, L'opera di Matisse: dalla rivolta 'fauve' all'intimismo, 1904–1928, Classici dell'Arte 49 (Rizzoli Editore, 1971), pp. 88–89, cat. 67 (sick.), every bit Natura morta con geranio due east frutta, 1906–07.
Albert Eastward. Elsen, The Sculpture of Henri Matisse (Harry N. Abrams, 1971), pp. 63; 64, pl. 75, every bit Even so Life with Geranium Plant and Fruit, 1906.
Francois Daulte, "Katarogu [カタログ]/Catalogue,"in Shikisai no shōri: Machisu to yajūha 10 [色彩の勝利:マチスと野獣派展; Triumph of Color: Matisse and the Fauves Exhibition]/Exposition Les Fauves, exh. cat. ed. Shinichi Segui (Yomiuri Shimbunsha, 1974), cat. 47 (ill.), as Kudamono to zeraniumu no aru seibutsu [果物とゼラニウムのある静物]/Nature morte au géranium et aux fruits, 1906.
Donald E. Gordon, Modern Art Exhibitions, 1900–1916, vol. 2 (Prestel-Verlag, 1974), pp. 265, no. 127; 694, no. 201, every bit Le géranium and Geranium.
Theodore Reff, "Matisse: Meditations on a Statuette and Goldfish," Arts Mag 51, 3 (Nov. 1976), p. 115, due north. iv, as Still Life with a Geranium Plant and Fruit, 1906.
Lawrence Gowing, Matisse (Thames & Hudson, 1979), pp. 64, fig. 45; 65; 207, no. 45, every bit Nature morte aux géraniums (However-Life: Geranium Constitute on Table), 1906.
A. James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (Academy of Chicago Press, 1980), pp. 14; 54, no. 2F7; microfiche 2, no. F7 (sick.), as However Life with Geranium Constitute and Fruit, 1906.
Felix Baumann, et. al., "Katalog," in Henri Matisse, exh. cat. (Kunsthaus Zürich/Städtische Kunsthalle Düsseldorf, 1982), pp. [124–25], cat. 21 (ill.), every bit Nature morte au géranium, um 1907.
Margrit Hahnloser-Ingold, "Matisse und seine Sammler," in Felix Baumann, et. al., Henri Matisse, exh. cat. (Kunsthaus Zürich/Städtische Kunsthalle Düsseldorf, 1982), p. 45, every bit Nature morte au géranium, 1906.
Jack D. Flam, "Matisse and the Fauves," in "Primitivism" in 20th Century Fine art: Affinity of the Tribal and the Modern, vol. 1, exh. cat., ed. William Rubin (Museum of Modern Art, New York, 1984), pp. 220 (ill.), 221, equally Still Life with Geranium Plant, 1906.
Michael P. Mezzatesta, Henri Matisse: Sculptor/Painter: A Formal Analysis of Selected Works, exh. cat. (Kimbell Art Museum, 1984), p. 53, as Still Life with Geraniums, 1907.
Isabelle Monod-Fontaine, The Sculpture of Henri Matisse (Arts Council of Great Britain/Thames & Hudson, 1984), pp. 29; 30, fig. 39; 149, no. 39, as Pelargonium and However-life with Geraniums and Fruit, 1907.
"The Joseph Winterbotham Drove: Plates," "Checklist of the Collection, 1921–86," and "Selected References," in The Joseph Winterbotham Collection: A Living Tradition, with acknowledgements by James N. Woods (Art Institute of Chicago, 1986), pp. 26 (ill.), 58, 63, as Still Life with Geranium Constitute and Fruit, 1906.
Catherine C. Bock, "Woman earlier an Aquarium and Woman on a Rose Divan: Matisse in the Helen Birch Bartlett Memorial Collection," Fine art Establish of Chicago Museum Studies 12, no. 2 The Helen Birch Bartlett Memorial Collection (1986), pp. 203; 218, n. 2, as Even so Life with Geranium Constitute and Fruit, 1906.
Lyn DelliQuadri, "A Living Tradition: The Winterbothams and Their Legacy," in The Joseph Winterbotham Drove: A Living Tradition (Fine art Constitute of Chicago, 1986), p. 11.
Jack Flam, Matisse: The Man and His Fine art, 1869–1918 (Cornell University Printing, 1986), p. 178, fig. 168, as Notwithstanding Life with Geranium Plant, 1906.
Jean Guichard-Meili, Matisse (Somogy, 1986), p. 129, equally Nature morte au pelargonium, 1906-07.
John Elderfield, Henri Matisse: A Retrospective, exh. cat. (Museum of Modern Art, New York, 1992), pp. 57; 61; 157, pl. 79, every bit Even so Life with a Geranium/Nature morte au pélargonium [Le géranium], [Collioure, summer 1906].
Middle Georges Pompidou, Henri Matisse 1904–1917, exh. true cat. (Le Centre, 1993), p. 51, as Nature morte au géranium.
Hiroshi Kirihara, "21," in Judith A. Barter et al., Shikago bijutsukan-ten: Kindai kaiga no 100-nen [100 Years of Modern Painting: Fine art Institute of Chicago Exhibition]/Masterworks of Modern Art from the Art Institute of Chicago, exh. cat. eds. Niigata Prefectural Museum of Mod Art, et al. (Asahi Shimbun, 1994), pp. 86–87, cat. 21 (ill.), equally Zeraniumu/The Geranium, 1906.
Margherita Andreotti, "The Joseph Winterbotham Collection, "Art Institute of Chicago Museum Studies 20, no. ii (1994), pp. 134, 135 (ill.), 191, as The Geranium (Le Géranium), summer 1906.
Sophia Shaw Pettus, "Checklist of the Joseph Winterbotham Collection, 1921–1994," Art Found of Chicago Museum Studies xx, no. 2 (1994), p. 184 (ill.), every bit The Geranium, 1906.
Frank Milner, Henri Matisse (Bison Books Ltd., 1994), p. 53 (ill.), as All the same Life with Geranium Constitute and Fruit, 1907.
Yve-Alain Bois, "On Matisse: The Blinding: For Leo Steinberg," trans. Greg Sims, October 68 (Bound 1994), p. 114, as Still Life with Geranium.
Natalia Brodskaya, The Fauves: The Hermitage, Saint Petersburg; The Pushkin Museum of Fine Arts, Moscow, trans. Paul Williams, Tomasz Lasica, and Elizabeth Hinton (Parkstone/Aurora, 1995), p. 39 (ill.).
Guy-Patrice Dauberville and Michel Dauberville, Matisse: Henri Matisse chez Bernheim-Jeune, vol. i (Editions Bernheim-Jeune, 1995), pp. 418–nineteen, cat. 74 (ill.), every bit "Le géranium."
Guy-Patrice Dauberville and Michel Dauberville, Matisse: Henri Matisse chez Bernheim-Jeune, vol. 2 (Editions Bernheim-Jeune, 1995), pp. 1432, cat. 74; 1459, stock no. 15805; 1466, photo no. 8246, as Le géranium.
Catherine C. Bock-Weiss, Henri Matisse: A Guide to Research, Creative person Resource Manuals ane, ed. Wolfgang M. Freitag, Garland Reference Library of the Humanities 1424 (Garland Publishing, 1996), pp. 430, no. 1350; 681; 689, as The Geranium, Nature morte au pélargonium (Nevertheless Life with Geranium), and All the same Life with Geranium (Nature morte au pélargonium), 1906.
Genevieve Morgan, ed., Matisse: The Artist Speaks (Collins Publishers, 1996), pp. 22 (ill.); 94, pl. 22, as The Geranium, 1906.
James N. Forest and Teri J. Edelstein, The Art Institute of Chicago: Twentieth-Century Painting and Sculpture (Art Institute of Chicago, 1996), pp. 8, 16 (sick.), 159, equally The Geranium, 1906.
Yve-Alain Bois, "Préface/Preface," in Henri Matisse: Catalogue raisonné de l'oeuvre sculpté, ed. Claude Duthuit, trans. Gregory Sims (C. Duthuit, 1997), pp. 17; 22, due north. 12; 375; 379, n. 12, as Nature morte au pélargorium and Still Life with a Geranium, 1906.
Peter Kropmanns, "Matisse und dice Molls, seine bedeutendsten deutschen Sammler," in Oskar Moll: Gemälde und Aquarelle, exh. cat. (Wienand Verlag, 1997), p. 80 (ill.), as Nature morte au pélargorium (Le géranium), 1906.
Jean-René Gaborit with Dimitri Salmon, "Le Tireur d'épine," in D'après 50'antique, exh. cat. (Réunion des Musées Nationaux, 2000), p. 222, fig. 67 a, equally Nature morte au pelargonium, 1906.
Francesca Bianchi, "Matisse in Germania (1906–1914)," Ricerche di Storia dell'arte 81 (2003), p. 37, every bit Géranium, 1906–07.
Burkhard Liesman, Die Grosse Inspiration: Deutsche Künstler in der Académie Matisse, vol. three, exh. cat. (Kunst-Museum Ahlen, 2004), p. 16 (ill.), every bit Nature morte au pélargorium (le géranium), 1906.
"Catalogue des œuvres," in Matisse-Derain: Collioure 1905, un été fauve, exh. true cat., ed. Joséphine Matamoros and Dominique Szymusiak (Gallimard, 2005), p. 235, cat. 183, equally Nature morte au pélargonium, hiver 1906–07.
Todd Stuart Cronan, "The Despair of the Physical: Materialism in George Santayana and Henri Matisse, 1900–1950" (Ph.D. diss., University of California, Berkeley, 2005), pp. iv, no. 34; 258–260; 300; 364; 418, fig. 5.34, as Nevertheless Life with a Geranium and Nature morte aupélargorium, 1906.
Jack Flam, "Matisse à Collioure: Evolution du style et datation des tableaux 1905–1907," trans. Jeanne Bouniort, in Matisse-Derain: Collioure 1905, united nations été fauve, exh. cat., ed. Joséphine Matamoros and Dominique Szymusiak (Gallimard, 2005), pp. 43 (ill.); 44, as Nature morte au pélargonium, hiver 1906–07.
Rémi Labrusse and Jacqueline Munck, Matisse-Derain: La vérité du fauvisme (Hazan, 2005), pp. 101, 282, 295, 312, 323, as Nature morte au géraniums, Le Géranium [Nature morte au pélargonium], Géranium [Nature morte au géranium], Le Géranium, Nature morte au géranium, 1906.
Gill Perry, "Playing with Paint: Pink Onions," in Dorthe Aagesen et al., Matisse Masterpieces at Statens Museum for Kunst (Statens Museum for Kunst, 2005), pp. 94–95, fig. 3; 98–99, as Nevertheless Life with a Geranium, 1906.
Dorothy Kosinski et al., Matisse: Painter as Sculptor, exh. cat. (Baltimore Museum of Art/Dallas Museum of Art/Nasher Sculpture Middle/Yale University Press, 2007), pp. [vi] (ill.); 125; 126 (sick.); 127; 138; 268, cat. 29; [296], equally Still Life with a Geranium, 1906.
Yve-Alain Bois, "Accost Unknown: The Sculpture of Henri Matisse," Artforum 45 (May 2007), p. 332 (sick.), as Still Life with a Geranium, 1906.
Catherine Bock-Weiss, Henri Matisse: Modernist Confronting the Grain (Pennsylvania State University Printing, 2009), p. 190, n. iv, as Still Life with Geranium and Fruit, 1906.
Magdalena Dabrowski, "Catalogue: Henri Matisse, Woman Leaning on Her Hands," in Sabine Rewald, The American Matisse: The Dealer, His Artists, His Drove (Metropolitan Museum of Art, New York/Yale University Printing, 2009), p. 85, fig. 46, as The Geranium, 1906.
Stephanie D'Alessandro, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, with contributions by Renée DeVoe Mertz, exh. true cat. (Art Constitute of Chicago/Kimbell Art Museum, 2013), pp. 12, 21 (ill.), as The Geranium, fall 1906.
Bernhard Echte and Walter Feilchenfeldt, eds., Kunstsalon Paul Cassiere: Die Ausstellungen 1905–1908, Quellenstudien zur Kunst seven (Nimbus, 2013), pp. 522, 796, as Geranium.
Bernhard Echte and Walter Feilchenfeldt, eds., Kunstsalon Paul Cassiere: Die Ausstellungen 1908–1910, Quellenstudien zur Kunst 8 (Nimbus, 2013), pp. 134 (ill.), 136 [?], every bit Stilleben mit Geranien, 1906.
Stephanie D'Alessandro, The Historic period of Picasso and Matisse: Modern Art at the Art Institute of Chicago, with contributions by Renée DeVoe Mertz (Art Found of Chicago/Yale University Printing, 2014), pp. 10, 21 (ill.), every bit The Geranium, fall 1906.
"All the same Life with Geranium," in Matisse Paintings, Works on Newspaper, Sculpture, and Textiles at the Art Plant of Chicago, ed. Stephanie D'Alessandro (Chicago: Art Institute of Chicago, 2019), true cat. xi, https://publications.artic.edu/matisse/reader/works/section/41/41_anchor.
Ina Ewers-Schultz, Simon Kelly, Simone Klein, Astrid Köhler, Peter Kropmanns, Ulrike Lorenz, Colin Lemoine, Isabelle Monod-Fontaine, Jacqueline Munck, Eva-Maria Schütz and Christian Weikop, Inspiration Matisse, exh. true cat. (Prestel-Verlag, 2019), pp. 118; 119, cat. 71 (color ill.).
Berlin, Paul Cassirer, Ten. Jahrgang, 1907/1908, September/October: I. Ausstellung, Sept. xxx–Oct. 18, 1907, cat. 86, as Geranium.
Moscow, Zolotoe runo/Toison d'Or, Salon Zolotogo Runa: Salon de La Toison d'Or, Apr. eighteen–May 24, 1908, no cat.
Probably Berlin, Paul Cassirer, V. Ausstellung: Henri Matisse, Jan. ane–20, 1909, cat. 18, every bit Stilleben.
Berlin, Ausstellungshaus am Kurfürstendamm, 26. Ausstellung der Berliner Secession, Jump 1913, cat. 201, as Geranium.
Cambridge, MA, Fogg Art Museum, Harvard Academy, Exhibition of French Painting of the Nineteenth and Twentieth Centuries, Mar. half dozen–April. half-dozen, 1929, cat. 61, pl. 51, as Withal Life.
Cleveland Museum of Fine art, Fall Flower Show: The Bloom in Fine art, Nov. 1–Dec. 1, 1935, no true cat.
Cleveland Museum of Art, Exhibition of Paintings by Matisse, Nov. 10–Dec. 18, 1938, no cat.
Baltimore Museum of Art, Modern Painting Isms and How They Grew, Jan. 12–Feb. xi, 1940, no true cat. no., as Still Life, Geraniums.
Los Angeles County Museum, Aspects of French Painting from Cézanne to Picasso, Jan. fifteen–Mar. 2, 1941, no. 28 (ill.), as Withal Life: Geranium Plant, Fruit.
New York, Marie Harriman Gallery, Les Fauves, Oct. 20–November. 22, 1941, cat. 4, as Nature Morte au Geranium, circa 1906.
Decatur [IL] Art Center, Masterpieces of European and American Art Lent by the Art Institute of Chicago, Mar. iv–25, 1945, cat. x, as Still Life with Geranium Plant; Springfield, IL, Art Association, Apr. iv–30, 1945, true cat. 10, as Still Life with Geranium Plant.
Milwaukee Fine art Institute, Flower Paintings, Sept. half dozen–Oct. ii, 1945, cat. 22, as Still Life with Geraniums.
Art Establish of Chicago, The Winterbotham Drove, May 23–June 22, 1947, as Still Life with Geranium, 1905.
Philadelphia Museum of Art, Henri Matisse: Retrospective Exhibition of Paintings, Drawings, and Sculpture, Apr. 3–May 10, 1948, cat. 19 (ill.), as Withal Life–Geranium Plant, Fruit, 1908.
Saginaw [Mich.] Museum, Exhibition of Nineteenth Century French Painting at the Saginaw Museum, Dec. 19, 1948–January. 9, 1949, cat. xviii, as However Life with Geranium.
Dallas Museum of Fine Arts, Texas Land Fair, The Winterbotham Collection of Twentieth Century European Paintings, Oct. 8–Nov. six, 1949, no cat.
New York, Sidney Janis Gallery, Les Fauves, Nov. 13–Dec. 23, 1950, cat. 32, every bit Geranium Establish, Fruit, 1908.
New York, Museum of Mod Fine art, Henri Matisse, Nov. 13, 1951–January. 13, 1952, cat. 14 (ill.), as Still Life–Geranium Constitute, Fruit on Table, (1906); Cleveland Museum of Art, Feb. 5–Mar. sixteen, 1952; Art Found of Chicago, Apr. 1–May iv, 1952; San Francisco Museum of Modernistic Fine art, May 22–July half dozen, 1952.
Denver Art Museum, Schleier Gallery, 10 × 10: Ten Directions past Ten Artists, Jan. 7–Feb. 14, 1954, cat. 37, as Still Life, 1906.
Arts Gild of Chicago, Les Fauves, January. 10–February. xv, 1956, cat. 12, as Even so Life: Geranium Found, Fruit on the Tabular array, 1906.
Omaha, NE, Joslyn Fine art Museum, Notable Paintings from Midwestern Collections, Nov. thirty, 1956–Jan. 2, 1957, no cat. no., every bit Still Life: Geranium Plant, Fruit on Table.
Los Angeles, UCLA Art Galleries, Henri Matisse Retrospective 1966, Jan. 5–Feb. 27, 1966, cat. 23 (ill.), as All the same Life with Geranium Plant and Fruit/Nature morte au géranium, (1906); Fine art Establish of Chicago, Mar. 11–Apr. 24, 1966; Boston, Museum of Fine Arts, May eleven–June 26, 1966.
London, Hayward Gallery, Matisse, 1869–1954: A Retrospective Exhibition at the Hayward Gallery, July 11–Sept. viii, 1968, cat. 36 (sick.), as Still Life with Geranium Plant and Fruit, 1906.
Paris, Thousand Palais, Henri Matisse: Exposition du centenaire, Apr. 21–Sept. 21, 1970, cat. 83 (ill.), every bit Nature morte au pelargonium (Nature morte au géranium), 1906.
Tokyo, Seibu Museum of Art, Shikisai no shōri: Machisu to yajūha ten [Triumph of Color: Matisse and the Fauves Exhibition]/Exposition: Les Fauves, Aug. xv–Sept. 25, 1974, cat. 47 (ill.), every bit Nature morte au geranium et aux fruits, 1906; Osaka, Galeries Seibu Takatsuki, Nov. 15–Dec. 8, 1974, cat. 47 (ill.), as Kudamono to zeraniumu no aru seibutsu [果物とゼラニウムのある静物]/Nature morte au géranium et aux fruits, 1906; Fukuoka, Prefectural Civilization Center, Nov. 5–xxx, 1974.
Zurich, Kunsthaus, Henri Matisse, October. xv, 1982–Jan. xvi, 1983, cat. 21 (ill.), as Nature morte au géranium, um 1907; Düsseldorf, Städtische Kunsthalle, Jan. 29–Apr. 4, 1983.
New York, Museum of Modernistic Fine art, Henri Matisse: A Retrospective, Sept. 24, 1992–Jan. 12, 1993, pl. 79, as Notwithstanding Life with a Geranium/Nature morte au pélargonium [Le géranium], [Collioure, summer 1906].
Nagaoka, Niigata Prefectural Museum of Mod Art, Shikago Bijutsukan-ten: Kindai kaiga no 100-nen [100 Years of Modernistic Painting: Art Institute of Chicago Exhibition]/Masterworks of Modern Fine art from the Art Establish of Chicago, April. 20–May 29, 1994, cat. 21 (ill.), equally Zeraniumu [The Geranium, 1906]; Nagoya, Aichi Prefectural Museum of Fine art, June 10–July 24, 1994; Yokohama Museum of Art, Aug. 6–Sept. 25, 1994.
Dallas Museum of Art, Nasher Sculpture Center, Matisse: Painter as Sculptor, January. 21–Apr. 29, 2007, cat. 29 (ills.), as Withal Life with a Geranium, 1906; San Francisco Museum of Mod Art, June 9–Sept. 16, 2007; Baltimore Museum of Fine art, Oct. 28, 2007–February. 3, 2008.
Fort Worth, Kimbell Art Museum, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, October. six, 2013–February. 16, 2014, no true cat. no. (ill.), equally The Geranium, Fall 1906.
Mannheim, Kunsthalle Mannheim, Inspiration Matisse, Sep. 27, 2019–January. 19, 2020, cat. 71, as Le Géranium.
The artist; sold to Bernheim-Jeune, Paris, Mar. ane, 1907; sold to Oskar (July 21, 1875–Aug. 19, 1947) and Greta (1884–1977) Moll, Breslau, Germany (present-twenty-four hour period Wrocław, Poland), from October. 27, 1908 [alphabetic character from Marguerite G. Duthuit, Sept. 17, 1975; photocopy in curatorial file]. Likely acquired past the Valentine Gallery, New York, inventory #147, fall 1927 [inventory carte and letter of the alphabet from Valentine Dudensing to Pierre Matisse, Dec. 15, 1927, Pierre Matisse Gallery Archives, Morgan Library & Museum, New York; photocopies in curatorial file]; sold to Frank Crowninshield (June 24, 1872–Dec. 28, 1947), Paris, Apr. 11, 1928 [this and the following according to Valentine Dudensing Ledger Books, Museum of Modern Art Archives; photocopy in curatorial file]; returned to the Valentine Gallery, Paris, Aug. 1928 [letter from Valentine Dudensing to Pierre Matisse, summertime 1928; photocopy in curatorial file]; sold to Frederick Clay Bartlett (1873–1953), Chicago, Oct. 27, 1928 [Cambridge 1929]; sold to the Art Institute of Chicago, Dec. 27, 1932.
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